
Photography
While I’ve only recently begun photographing with intention, I’ve always loved the ability to capture a perspective in an instant. Like my painting practice, I’m drawn to natural spaces and the way light transforms them. A photo lets me preserve a fleeting moment—one that will never appear the same again. Through recent formal work, I’ve come to enjoy the full process: planning a shoot, editing images, and pushing a concept further. Unlike other studio arts, where creation happens in the moment, photography demands preparation—setting the stage before a single image is taken. This has allowed me to be more deliberate in my approach than with other media.
Recreation
I enjoy capturing my lived experience in nature through casual photography. My goal is not to generate meaning or significance with each photo, but rather to capture the emotion I feel through the lighting, scale, and proportions around me. I often find myself looking up at the sky and marveling at the impressive, organic beauty of clouds at any time of day.
Projections Series
This body of work was my first real exploration of intentional, planned-out photography. These photos are captured using a projector onto a black piece of paper (or my skin) in a dark room. The photos being projected are photos of clouds that I have taken. In photos where the track of the projector is visible, I took special care to raise the shutter speed and spray water to get the projector to show up in-photo. The focus of this work was to explore projections in relationship to both humans and nature. Stemming from the instance where people project emotions onto nature, saying things like “the sky looks angry” or “it feels so serene outside”. Nature in itself is without valence, thus judgments as to mood are entirely human-based. Taking this phenomenon, I decided to flip it, with raw nature being projected, and in some cases more didactically projected onto people. Ultimately, this work was focused on generating an aesthetic while also playfully questioning human nature’s disposition for projecting personal evaluations onto the world (and people) around us.
Projections Installation
After finalizing my previous portfolio, I thought about how to display the pieces. A central theme in the photos was ‘perspective’ so part of my display was to physically change the viewer’s perspective to view the work. The photos are mounted to the ceiling, attached with black thread and pinned to the ceiling. Tiny holes punch through the layers, allowing for connective strings to run top to bottom (physically and figuratively connecting photos at the bottom to those at the top). Photos at the bottom become more transparent, less vibrant/saturated, are hung less straight, and shift from dark room projections to clouds to finally nature and trees. The progression from the small, dull, transparent, skewed trees to the large, ordered, vibrant projections creates a layered chronology.